Hi, I’m Dave, and I’m a DAW junkie  (DAW is a digital audio workstation, or software version of a mixing console for all the non computer music people)  I’ve worked with several different DAWs over the last 20 years or so… First Cakewalk / Sonar, then Logic, then Studio One, and back to Logic X.  I’ve usually stayed away from ProTools, as the hardware requirements / copy protection and perceived complexity have always been issues for me. A couple of years ago, I purchased an Avid MBox 3 Pro which included a copy of ProTools.  I didn’t really think much about it, but was able to get Version 10 and 11.  I plunked around with ProTools, but quickly went back to Logic, as Logic X came out.  For the most part, I’ve sat out all of the drama surrounding Avid and their upgrade policies, as I really wasn’t interested in upgrading…

That was until about 3 weeks ago…  A band I’m with recorded a live video at a studio, but we tracked all of the audio to a ProTools session.  I wanted to see what I could do.  After working with the guy who did the recording to come up with a mix for the 6 songs, I wanted to see if I could do a different job.  Since I knew I might need to bring the session back, I went ahead and did my upgrade to ProTools 12, and opened up the session.

From this point on, note that all of my statements are going to be subjective and not based upon comparisons.  I did no null testing, I didm’t try to duplicate my mixes in every DAW; i’m just going off of my memory, so take this with a grain of salt…

The first thing that I noticed was how open the sound was.  This may be due to the fact that the recording was done inside of a big room, not the normal small studio, but I’ve done a bunch of live band recordings and worked with Logic, and none have started off with the openness that I was hearing in Pro Tools.  The second thing that I noticed was that the meters in Pro Tools were REALLY good.  I feel like in Logic, there’s a bit of a ‘fudge factor’.  With the ProTools meters, i was able to see the peaks really well.

I started off my session pretty simply, just using some Waves plug-ins.  That didn’t get me exactly where I needed, so I brought in a couple of tools that turned out to be critical to me getting through my mix.  The first set of tools was the FabFilter Pro Bundle from FabFilter.  I used every plug-in in that bundle.  All of these plug-ins are incredible.  The spectrograph on the EQ is very helpful for ‘seeing’ problem frequencies, and dealing with them.  All of their plug-ins show you what they are doing to the sound, so you can really understand what is happening.

Second tool that I would not use ProTools without is Melodyne.  I’m no fan of doing ‘fixing’ vocals and guitars with plug-ins like Melodyne and AutoTune, but, there are times when it’s useful.  I was able to take a song that didn’t sound very good to pretty rockin’ with Melodyne.  Given the time and budget constraints, Melodyne worked REALLY well 🙂  Sometimes, you just have to make it sound good, and darn the ‘how’.

Finally, the last thing that got me to really like Pro Tools was the mix down.  Normally, when I do a mix down in Logic or Studio One, especially to MP3, it feels like the MP3 doesn’t sound very good compared to playing the audio out of the DAW.  With Pro Tools, I FELT LIKE THE MP3 SOUNDED AS GOOD AS THE DAW.  To re-iterate, this is VERY subjective, I did no testing.  I just know that with Logic and Studio One, my MP3 mixes never sounded as good a the DAW mix.  With Pro Tools, the MP3 equaled the DAW.  That ALONE is reason to use it.

In the end, my final result came out pretty good.  I definitely had a couple of ‘oopses’ that I wish I’d been able to fix at the time. I’ll probably do more learning about Pro Tools, and hopefully getting faster.

One last thing that I think is very telling… Graham from The Recording Revolution constantly tries different DAWs, but he always seems to come back to Pro Tools.  I know that he knows what he’s doing, and I’ve seen him do awesome mixes in Garageband, Reason, and definitely Logic, but he has always returned to Pro Tools.  I can assume that part of that is comfort factor, but I also assume that there is something more.  I certainly can see why Pro Tools is different, and I hope to learn a lot more!

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